Page 59 - B-ALL#13 ENGLISH

Influenced by the Renaissance masters, by the Expressionists and impressionist painters and abstract art, she dreams of a dinner out of time gathering Wolf Kahn, Henri Matisse, Franz Kline and Michelangelo. Her classical style draws a body of figurative abstraction to landscapes.
In her studio in Long Island Sound in Connecticut, she plunges into the void of her white canvas with a joyful and liberating energy. Solar woman, her energy springs spontaneously on the canvas, burning, irrepressible in mighty waves and transcribes her joys as her fears. Her paintings in duet tell of her incessant search. She is always trying new techniques and moves from a sketch on the first to the second, to gradually moving towards this sorority
of harmony by maintaining on each canvas
its personality and its light.
These paintings seem like binoculars as the left gives rise to the right. Yet if they sing in duet, each is opening a window on the soul of their creator and, in an echo, of their viewer.
As did Monet, she rediscovers under her enthusiastic brushes the landscapes that she has painted in summer to immortalize it
in the icy cold of winter.
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