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In the last twenty-five years of the painter’s creation, the meditative emptiness seizes his paintings in large formats. The magnitude of the gesture is added to his touch so meticulously precise.
His paintings Blue I, Blue II and Blue III of 1961 will be his first monu- mental works and mark the ultimate culmination of his art.
Miró sees his acuity sharpened by the passage of time and leads him to navigate more and more on the borderline of the real and the unreal, between despair and hope.
Miró, international Catalan, freedom lover, has crea- ted a unique and yet fabulously universal language. An artist fiercely independent, he knew how to give a color to dreams...