references
A
fter the beautiful and mythical bird, he made the scenography of the Cartier Foundation together with Jean Nouvel.
Pinault takes him again to make his Fnac head office. The Normandy, Varengeville, his second main home, calls him back to be the Manager of the Musée des Beaux-Arts in Rouen. This is how he got started with the Musée Rodin and the staging of all the museums of the great sculptor whose works are enhanced by a special lighting used for the theatre, so that the flesh may revive under the skin made of stone and convey its stimulating messages.
«Light beautifies magic. »
He likes to associate with many different profiles, among which professionals of the theatre and of concerts. He plays with contrasts as far as materials and personalities of his collaborators are concerned. Poets, technical experts, egocentrics, humbles, freaks or traditionals, they all have something to share and add to this project according to him, and their differences is the key to this sublime imperfection that makes us all look alike and thus brings us all together.
He directs his corps de ballet with great sensitivity, psychology and respect, so that the result may match up to the person who entrusted him this story. Like a great conductor, he dreams about his orchestral score, draws it, and creates emotional paintings in color. For each history, he paints a book, representing abstract atmospheres in large lines, with shining pigments, and isolating details whose delicate dart is the heart trump.
